What's On | Jenufa
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In a small village in Moravia, the hapless Jenufa nurses her passion for her cousin, Steva, by whom she is pregnant. Alas, this is the tale of a tangled web of relationships in which a jealous half-brother, and a conflicted stepmother intervene in a dramatic and ultimately tragic fashion. Regarded as one of Janáček's masterpieces, Jenufa is music drama at its most intense and devastating.

Jenufa synopsis

The plot depends on a tangled set of village relationships. Before the opera begins, the mill-owner Grandmother Buryja's two sons have both married twice, fathered children, and died. Their wives have also died, except for the Kostelnička (widow of the churchwarden), the younger son's second wife and Jenůfa's stepmother. Custom dictates that only Števa, the elder son's child by his first marriage, will inherit the mill, leaving his half-brother Laca and cousin Jenůfa to earn their livings.


In a quiet Moravian village, Jenufa waits anxiously to hear if her beloved Števa is to be drafted, for she is carrying his child. Števa's stepbrother, Laca, secretly loves Jenufa but tries to hide his feelings by making offensive comments about her to his grandmother - who owns the nearby mill - and to the mill's foreman. The shepherd boy Jano enters, thrilled that he can read and thanking Jenufa for teaching him. It soon turns out that Števa is free of military duty, and he staggers in with some boisterous recruits, musicians and villagers, who break into a rowdy dance. Jenufa is distraught over Števa's cavalier attitude.

The noise incurs the displeasure of Jenufa's stepmother, Kostelnička. She is a stern widow with considerable moral authority, whose name describes her honorary office with the church where she serves as a sacristan. Remembering her own drunken husband, she tells Števa he can marry Jenufa only after a year of teetotalling. Grandmother Buryjovka sends everybody away, leaving Števa alone with Jenufa. He is petulant at her plea for marriage. After he leaves, Laca returns, needling Jenufa, finally quarrelling with her. Torn between love and jealousy, he slashes her cheek with his whittling knife. She runs into the house, and the servant Barena says it was an accident, but the Foreman accuses Laca of hurting Jenufa deliberately.


While everyone thinks she is in Vienna working as a servant, Jenufa has remained hidden at home and given birth to a boy. Her proud stepmother cannot bear the shame and has sent secretly for Števa. After giving the girl sleeping medicine, she tells him about the baby and kneels before him, begging him to wed Jenufa and claim his son. But he refuses to take a disfigured bride; in fact he is engaged to Karolka, the Mayor's daughter. Next Jenufa's distraught stepmother turns to Laca, who is eager to marry the girl but is so taken aback to hear about her baby that Kostelnička on an impulse pretends it is dead. There is only one way out for her now, she feels. Taking the child, she heads for the frozen millstream to drown him.

When Jenufa wakes, she prays for her child, but her stepmother returns to tell the girl she has been in a coma for two days, during which the baby died. She also tells her about Števa's coming marriage. Laca returns, humbly offering himself to Jenufa, who reminds him she has neither wealth nor honour. Laca insists he loves her. Conquered by grief, she agrees to become his wife.


Two months later, Jenufa is about to marry Laca. Among the guests are the Mayor and his wife - who notices that Jenufa is not wearing the usual white garland - and Števa with his coquettish fiancée, Karolka. Barena and some other girls arrive with flowers, and Grandmother Buryjovka blesses the couple. Suddenly, Jano runs in to say a drowned baby has been found in the thawing millstream. Kostelnička becomes hysterical, while Jenufa identifies the body as that of her child. Everyone now turns on Jenufa, but Laca defends her, and her stepmother's confession abruptly ends the mystery. Before Kostelnička is led away to face her punishment, Jenufa forgives the wretched woman. Then she turns to Laca and offers him his freedom. Again he declares his love, and since she has grown to love him too, they put the tragedy behind them and start a new life.

Creative Team and Cast

Production originated from Welsh National Opera (1998)

Conductor: William Lacey
Director: Katie Mitchell
Revival Director: Robin Tebbutt
Designer: Vicki Mortimer
Original Lighting Designer: Nigel Edwards
Lighting Designer: Paul Keogan

Jenufa: Natalya Romaniw
Steva: Nicky Spence
Kostelnicka: Susan Bullock
Laca: Andrew Rees
Mayor: Jihoon Kim
Grandmother: Anne-Marie Owens
Starek: Harry Thatcher
Mayor’s Wife: Hanna-Liisa Kirchin
Karolka: Heather Ireson
Barena: Alexandra Lowe
Jano: Eleanor Garside
Pastuchyna: Amy Lyddon

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